All courses

LANGUAGE

Campaign from Lingvisti in Sarajevo

First year (introductory)

Berkeley | Slavic 27A & 27B | Antje Postema

This is the first in a two-semester sequence that introduces students to all three major variants of Bosnian/Croatian/Serbian, while facilitating their mastery of one variant. The course provides a solid foundation in BCS by teaching all four major communicative skills... (read more).

Nina Knezevic's illustration in Faruk Sehic's Knjiga o Uni

Second year (continuing)

Berkeley | Slavic 117A & 117B | Andrew Dombrowski & Antje Postema

Course description coming soon... (read more)

1986 ad for Yugo

Third year (advanced readings)

Berkeley | Slavic 171 | Antje Postema & Djordje Popović

Course description coming soon... (read more)

LITERATURE

Gospoda Glembajevi poster, Maribor, 1933

Socialist Alternatives: The Yugoslav Experiment in Culture and Literature

Berkeley | Slavic 170 | Djordje Popović

Following its break with the Soviet Union in 1948, a small Balkan country once known as Yugoslavia began to develop its own alternative model of socialism. In economic and political terms, this led to the development of... (read more)

Detail from Safet Zec's Exodus

Post-Yugoslav Literature

Berkeley | Slavic 172 | Djordje Popović

This course is a comparative study of “post-Yugoslav literature,” a term commonly used in reference to a diverse, transnational, and multilingual body of works produced over the past three decades by people (and the descendants of people) who once lived in a common, socialist... (read more)

Tjentiste by Robert Burghardt

Yugoslavia and the Literature of Freedom

Stanford | Slavic 286 | Dominick Lawton

The country of Yugoslavia existed for less than a century, and in that brief time, it developed a novel socialist system and culture that decisively broke with Stalin's Soviet bloc; formed connections with India, Indonesia, Egypt, Ghana, and other countries across Asia, Africa, and Latin America... (read more)

CULTURE

Still from Zbanic's Grbavica

Balkan Cinema

Berkeley | Slavic 175| Antje Postema

Today’s highly mediatized conflicts have raised in a newly urgent way longstanding ethical and aesthetic concerns about the role of film in documenting, representing, and intervening in war. These concerns have been thoroughly engaged in Yugoslav and post-Yugoslav film... (read more)

Detail from the poster for Balkan Folklore

Balkan Folklore

Berkeley | Slavic 147B | Antje Postema

In a region home to many different ethnic, religious, and linguistic communities, folklore has long been a rich source of collective identities – a shared body of cultural expressions in which history remains alive and future often takes shape. Far from being an antiquated practice... (read more)

Detail from Safet Zec

The Balkan World: History, Politics, Literature

Stanford | History 24 & Slavic 224B| Jovana Lazić & Dominick Lawton

The Balkans is a region that is often marginalized, even though throughout modern history it has stood at the crossroads between East and West and has been the locus of the major developments of the 19th and 20th centuries – the site of Great Power competition, de-colonization movements... (read more)

COMPARATIVE

Detail from Hegedusic's mural at Tjentiste

War and Literature

Berkeley | Slavic 158 | Djordje Popović

The horrors of war are often described as unspeakable and unimaginable. Words supposedly fail to convey the cruelty and suffering caused by large-scale organized violence and destruction. Yet even a cursory look at the history of the written word reveals that literature does not obey these... (read more)

Image of Woody Guthrie

“This machine kills fascists” – A Survey of Antifascist Form

Berkeley | Slavic 158 | Djordje Popović

“This machine kills fascists” was the message printed on a World War II-era sticker American machinists affixed to their metalworking lathes and drill presses. As the war intensified, the folksinger and leftwing... (read more)

detail from Maksimovic

Literature in a God-forsaken World

Berkeley | Slavic 39 | Djrodje Popović

Thinking about a world beyond our own usually involves a whole series of difficult questions. The most obvious of these questions are epistemological in nature: what makes knowledge of this transcendent realm possible in our present condition? To rely solely on our empirical faculties... (read more)